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 | item: "Sickos, Bullets, and Explosions" takes a look at Terror's extensive special effects through interviews with stunt coordinator Jeff Dashnaw and members of the visual effects team, while "The Friend, The Doctor, and The Real Estate Agent" chats with three non-actors, all pals of Rodriguez, who wound up with small but significant roles in the picture. The set also includes an "Audience Reaction" track: Essentially, it's a whole track of whoops and hollers that allows the viewer to "experience" the film as if they were watching it in an actual grindhouse from back in the day. (Horror) A fun zombie film that busts at the seams with gross special effects amazing action and deliciously over-the-top moments as gun-legged Cherry Darling and one man wrecking crew El Wray try to save the world fr... see description |
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 | item: Spielberg doesn't seem to care that the pieces of this project don't add up to a real movie, so he hams it up with big, scary moments (with none of the artfulness of those in Jurassic Park) and smart-aleck visual gags (a yapping dog in a suburb mysteriously disappears when a hungry T-rex stomps by). Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons an... see description |
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 | item: Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. --Jeff Shannon . When it was announced that Tom Cruise would play the vampire Lestat in this adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicized objection. Considered a disappointment while being embraced by Rice's loyal followers, the movie is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honoring the literate, Romantic qualities of Rice's screenplay. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, whi... see description |
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